My work focuses on long-form photographic essays that examine built environments and the physical evidence of use over time. Rather than presenting isolated images, each body of work is structured as a closed sequence, where meaning emerges through order, repetition, and restraint.

The photographs are made with an editorial approach, emphasizing material, structure, and human interaction without dramatization or nostalgia. Projects are developed slowly, edited rigorously, and presented only when complete.

Current work is organized as essays.